![]() That delay helps me edit, like it’s someone else’s work. He explains “Having instant results with digital takes me out of the experience. “He likes to tell this story about his home darkroom where he accidentally drank a glass of fixer after mistaking it for gin… I went through his archive recently to make a book of his work and was really surprised at how similarly we take pictures.” With a camera kit made up of the Contax G2 & T3 and Horseman 4x5, he prefers the more thoughtful procedure of using film. lots of photo books and magazines all over the house,” Liebman recalls. “My dad was a very serious amateur in the seventies and eighties so I grew up around photography. Having captured his very first photographs aged five – of a giant waterfall in the Grand 56 house Canyon, via a plastic Kodak – his interest in the medium was perhaps first piqued by his father’s influence. As well as dabbling in video direction, Liebman is now set to publish his new book, ‘Optimal Enchantment’ in a limited edition. Besides appearing in cult zines like Holy Ghost and Nofound, his enigmatic images were also featured in the ‘Secrets’ show at Space 15 Twenty in LA last year, curated by Dossier Journal’s Skye Parrott, alongside the likes of Richard Kern, Samantha Casolari and Marcelo Gomes. And that's good, right?”Gallery Jeremy Liebman Gallery Jeremy Liebman By Flora Wong ORIGINALLY RAISED in California and Texas, photographer Jeremy Liebman later relocated to Brooklyn, where he’s since shot for publications including Nylon, Vogue Nippon, and Vice as well as labels like Prada and Evisu. (But if) you haven't found yourself where you want to be, or you have no interest in going through a well-trodden path, you're just free to do your own thing. “I don't think it's going to lead to total democratisation of the arts. You can now have a provable, canonical first instance of that iconic meme, or that GIF, and the value that that creates over its lifespan can actually accrue back to the provable creator of that meme, (or) that GIF.” For Kissick, there’s more of an open question about how much things will change within the more storied corners of the art world. For Goens, “it is 100% revolutionising the understanding of how we own information on the internet. Kissick and Goens tackle these questions and lift lift the veil on how NFTs work, as well as what they actually spell for the art world and all the adjacent audio-visual culture we experience through the lens of the internet. Does the rise of the NFT spell the end of the internet being “free” as we know it? What does democratisation, and decentralisation, of the art world actually look like? And why are some people so mad about it? ![]() This A Future World episode about NFTs is hosted by former Dazed Arts Editor Ashleigh Kane and the guests are Dee Goens, the co-creator of NFT Marketplace Zora, and Spike editor and arts writer Dean Kissick. I think both of us have a real hunger for the world, and for creativity, that is reflected in the way we use social media.” ![]() They also gush about the platform that feels at once like it’s the future of social media, as well as a space for freedom more akin to what social media websites used to feel like: TikTok, which Tolentino describes as “genuinely anarchic in the way the early internet was, and certainly in ways Instagram and Twitter aren’t.”įor Tolentino, the conversation with Charli is a meeting of kindred spirits who “use social media the way that we live in the world”: “I think the way that both of us are attracted to social media and to using the internet (is) fundamentally rooted in an approach to the world, which is an energy for being around people. In this A Future World podcast, hosted by Dazed Digital’s Editor Anna Cafolla, popstar Charli XCX and writer Jia Tolentino talk about the pitfalls of the glossy, consistent, economically-driven platforms that we embed ourselves in every day the dullness, and inaccuracy, of the pervasive currency of authenticity on social media and the passionate culture and pace of new internet-forged genres like Hyperpop. ![]()
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